It's a lot more expensive than a half-price upgrade to ST4, but Omnisphere, the expansions that are continually being released for it, and the fact that it's a synthesizer, are more in tune with my specific needs. At 260 GB, I'd no doubt find every sound I'd want for my pop productions, but at the cost of filling my hard drive up with 259 GB of samples I'd never use. This is why I have not upgraded to ST4 Max. As an easy-to-use, all-in-one sonic workhorse, it remains a great choice for both. I own a lot of deeply-sampled, dedicated libraries for horns, guitars, orchestral, ethnic, and other acoustic instruments, so it's very unlikely I'd use SampleTank or any other all-in-one library for those purposes. SampleTank 4 brings some significant improvements in features and sounds. As well as the new features that will be the focus of this review, SampleTank 4 MAX smokes those numbers, weighing in at an insane 260GB, with 120,000 samples fuelling over 8000 multisampled instruments (see In the ’Tank) and 7500 loops, plus 4000-odd MIDI patterns. It's for that reason that a SampleTank Max library is like the Omnisphere of romplers. Sometimes I just need a certain sound, and SampleTank will have it. Virtual Sampler (Download) Workstation with over 2000 sounds, Numerous drums, percussions and construction kits and MIDI files, 16-Way multitimbral with 16 stereo outputs, 3 Synth Engines: STRETCH. Its for that reason that a SampleTank Max library is like the Omnisphere of romplers. Sometimes I just need a certain sound, and SampleTank will have it. Or call us at (800) 222-4700 Ask a Sales Engineer. These 4 powerful new Players make SampleTank 4 one of the most powerful groove creation. Draw in up to 16-note patterns, set velocity, length, swing and more. The Arpeggiator offers fresh ways to create patterns. It always finds its way into all of my pop-oriented productions, often working alongside various soft synths. SampleTank 4 turns presets into performances with 4 new Player sections: the Arpeggiator, Strummer, Phraser and Loop Manager. It always finds its way into all of my pop-oriented productions, often working alongside various soft synths. I have SampleTank 2.5 XL (which I guess is the equivalent of 'ST2 Max') which I play through the ST3 engine. I have SampleTank 2.5 XL (which I guess is the equivalent of "ST2 Max") which I play through the ST3 engine.
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